I consider it fortuitous that my semi-retirement coincided with the emergence of streaming as the dominant mode of music distribution. As I wrote in my kick-off feature for Simplifi, my missus and I downsized in early 2018 in preparation for our retirements. Our previous home had a dedicated listening room in a third-floor loft. In our new home, the hi-fi has to live in the living room. That multipurpose space can’t accommodate a conventional component system—hence my use of active speakers, where the amplifiers and other electronics are built into the speaker enclosures.
As regular visitors to this website likely know, I embraced Simplifi’d hi-fi out of necessity rather than choice. In the small 1920s rowhouse my missus and I have called home since early 2018, our hi-fi system lives in the living room. There’s no other space that can serve as a listening room. For that reason, a conventional component system with passive speakers, amplifier, and source components won’t work for us, because such a system would clutter up a multipurpose space that we use for entertaining and hanging out.
Read more: Technics SC-CX700 Streaming Active Speaker System
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
I hadn’t heard much about Eversolo before receiving the DMP-A8 for review. I saw some online chatter around the time this product was released and some early reviews, but I knew very little about Eversolo except that it was the relatively new audio brand of Zidoo, which has been producing high-quality video media streamers for several years.
Close your eyes for a second and envision the Platonic ideal of a streaming amplifier. Then open them again and keep reading. You probably pictured something along the lines of the NAD C 700, right? Or maybe the Cambridge Audio CXN100? Or the SVS Prime Wireless Pro SoundBase? In other words, a black box with either a touchscreen or at least a digital display.
Spotify began service in 2009, which means we’re 15 years into the streaming era. I’m generally a late adopter of new technology, so it took me a while to join the party. I got into file-based playback in a big way starting around 2011, but only began streaming in 2015. Now I’m all in. I’d guess that streaming (mainly from Qobuz) accounts for 90% of my listening.
Canada’s Bluesound has made a name for itself with its highly regarded music-streaming products. In July 2023, I reviewed Bluesound’s Powernode Edge streaming integrated amplifier for Simplifi and was impressed by its sound and design. Bluesound has recently introduced three new music streaming devices: the Node Icon reference music streamer ($999, all prices USD), the Node performance music streamer ($549), and the Node Nano wireless music streamer ($299), the subject of this review. As the names suggest, each model offers different levels of functionality and performance, with the Nano being the most basic.
There are many things I like about my gig on the SoundStage! Network, but what I enjoy most are my colleagues. They all share my passion for music and audio, and they’re all very knowledgeable. And they have strong opinions that often diverge in interesting ways.
Read more: Getting Spaced: What’s the Future for Atmos-Encoded Music?
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
Few audio brands are as steeped in tradition as Naim Audio. In my mind, companies like McIntosh, Bryston, and Naim, along with a few others, conjure up memories from my early years as an audiophile of coveted but unattainable audio products. In February last year, fellow SoundStage! Network reviewer Jonathan Gorse wrote about his experience with the original Nait integrated amplifier and his introduction to the Naim brand almost 40 years ago. I was reintroduced to the brand ten years ago when the Naim Statement NAC S1 preamplifier and NAP S1 mono power amplifier made their debut at the annual CES (Consumer Electronics Show) in Las Vegas.
Read more: Naim Audio Uniti Nova PE Streaming Integrated Amplifier
The French speaker brand Triangle isn’t especially well known here on the left side of the pond, but its products have had a good run on the SoundStage! Network. Back in May 2020, Diego Estan reviewed the Triangle Borea BR03 on SoundStage! Access, a passive two-way standmount speaker. This $559/pair speaker (all prices in USD except where noted) received a Reviewers’ Choice award and was later named a 2020 SoundStage! Network Product of the Year. Exactly three years after Diego’s review was published, I reviewed the Triangle Borea BR03 BT powered loudspeaker system ($799) for SoundStage! Simplifi. The two models have the same driver complement and virtually identical cabinet designs, but the BR03 BT also has a built-in 60Wpc class-D amp with a phono stage, optical and digital inputs, and a Bluetooth receiver. Just wire the system to a source (or pair it with your smartphone) and start listening. Like the Borea BR03 before it, the Borea BR03 BT won a Reviewers’ Choice award.
When is a speaker more than a speaker? When it’s a system. That is precisely what UK-based Q Acoustics is offering with its M40 HD: an all-in-one music system—just add a source and start playing. Priced at $999 (all prices in USD), the M40 HD is a follow-up to the bookshelf-size M20 HD system ($499), which Kurt Wetzel reviewed for Simplifi in June 2022. But the M40 HD speakers are floorstanders that each have two mid/bass drivers; the M20 HD speakers have one. That, and their greater output power, enable them to play louder and deeper than the M20 HD speakers. For floorstanding speakers, the M40s have a relatively small footprint, which listeners with limited space or a preference for unobtrusive designs are sure to appreciate.
“Push that button,” Doug Schneider suggested after Jason fired up Roon and began streaming some music. Jason Thorpe, senior editor of SoundStage! Ultra, had recently built a Roon server using spare computer parts. He connected the server to an ancient Squeezebox Touch streamer, and that, in turn, to the USB port on the Hegel Music Systems H120 integrated amplifier–DAC of his main-floor music system.
As I mentioned in my unboxing of Arcam’s new A25 integrated amplifier ($1499, all prices in USD) on SoundStage! Access, I have an incredible hardwired affection for the brand that I feel compelled to mention right up front—not to bias you, dear reader, but simply to lay bare my own biases. Because I can’t help but think that those biases affect the way I view and interact with a product like the A25’s companion piece, the ST5 streamer ($799).
As readers of my articles on Simplifi will likely know, my primary music-management application is Roon and has been for almost as long as I’ve been writing for SoundStage! But before that I used Audirvana as my main music-player app, and I liked it a lot. Audirvana has been through many changes since I switched to Roon. I thought it would be interesting to revisit it.
Read more: The French Connection—Is Audirvana a Worthy Alternative to Roon?
Ever since I got into file-based playback in 2011, I’ve consistently used an Apple Mac Mini as a music server—but lately, I’ve changed things up a bit. For the past few months, I’ve been using a Roon Nucleus One to stream music throughout my home and play music through headphones. Priced at $499.99 (all prices in USD), the Nucleus One has one purpose and one purpose only: to run Roon Server software.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
When spring arrives, decluttering becomes a priority for me. Blame it on my OCD, but I want to clear everything out and start afresh. Yet, you can’t get rid of everything—some things are essential. If you’re a music lover, a serious sound system is one of those essentials. Sure, a phone with a Bluetooth speaker can play tunes, but if you really want to feel the music, to have it calm you down or get you dancing, a more capable system is in order. A streaming integrated amplifier like the Rotel RAS-5000 ($2999.99, all prices in USD) coupled with a set of nice loudspeakers might be the ticket. Just connect it to your home network and start streaming. You can also connect external source components, such as a disc player, HDTV, and personal computer.
Somewhere in the middle of 2015, the whole Apple ecosystem—at least with regard to ripping music and plonking it onto my iPhone—stopped working for me. In fact, I can pin it down to sometime between May 1 and August 1 of that year. I know this because, until very recently, the newest Grateful Dead CD rip to make its way onto my iPhone was Dave’s Picks, Volume 14 (Academy of Music, New York, NY 3/26/72). Thereafter, every time I tried to sync my ripped music to my iPhone (be it my 6s Plus, 8 Plus, or 12 Pro Max), I was met with a dreaded “Waiting for sync to start” error that never resolved itself, even when I left my phone plugged into my PC overnight.
During the first few months of 2024, I’ve seen some killer deals on the kind of hi-fi gear I most like. Seeing these deals has led me to ask some questions about the nature of Simplifi’d hi-fi, and to wonder how widely my preferences are shared.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
I love it when a hi-fi manufacturer gets into a groove, and Marantz seems to be doing exactly that with its recent two-channel gear. For a while now, the upper end of the company’s two-channel range has been dominated by two-piece solutions, with an all-analog integrated amplifier handling preamplification, source-switching, volume control, and power duties, and a separate disc player/streamer/DAC doing everything else—well, everything except for vinyl and tape playback.
In a sense, what you’re reading here is a review of two different products—the LSX II LT active speaker system that KEF announced on January 18 of this year, and the LSX II system on which it’s based.
Lately, I’ve noticed that a growing number of products reviewed on Simplifi and other sites on the SoundStage! Network are only available for purchase online. Here are some examples: Denmark’s Buchardt Audio, whose Anniversary 10 active loudspeaker I reviewed on February 1, sells exclusively over the internet. So does Norway’s Arendal Sound, whose 1723 Tower S loudspeaker Philip Beaudette recently reviewed on SoundStage! Hi-Fi. Fluance and Axiom Audio, both based in Canada, sell exclusively online. Thom Moon has enthusiastically reviewed several Fluance products on SoundStage! Access, most recently the RT81+ turntable and Reference XL8F loudspeaker.
Every hobby has its killjoys—and audio has more than its share. I’m thinking of purists who insist that there’s only one right way to listen to reproduced music: with your head locked in the sweet spot between a pair of speakers. Members of this party’s fanatical wing may have other bugaboos, too. DSP—not allowed! Lossy compression—intolerable! Listen through a Bluetooth speaker out on the patio? Anathema! Listen through a smart speaker while you prepare dinner? Sacrilege!
Read more: Bluesound Pulse M Streaming Tabletop Music System
In 2023, Denmark’s Buchardt Audio celebrated its tenth anniversary. To mark the occasion, the company released a new active speaker, the Anniversary 10 (A10), which is the subject of this review. In October 2020, I reviewed Buchardt’s A500 active speaker and was wowed by it. The A500 received a Reviewers’ Choice award and then won a 2020 SoundStage! Network Product of the Year award for Innovation in Design. So when Buchardt Audio announced the A10 last summer, I immediately emailed CEO and founder Mads Buchardt to request a pair for review.
Read more: Buchardt Audio Anniversary 10 Active Loudspeaker and Platin Stereo Hub WiSA Transmitter
Back in January 2017, in the first review ever published on SoundStage! Simplifi, Al Griffin wrote, “What makes me think the wireless category has finally, truly arrived are new options from companies such as Dynaudio and Devialet—wireless, powered speakers that provide high-performance alternatives to traditional wired hi-fi systems.” Al was evaluating the Bang & Olufsen Beosound 2 in that review, and he wrote it with serious listeners in mind for whom the sound system—its performance and its continual refinement—is an important part of the experience.
Read more: Bang & Olufsen Beosound Balance Active Loudspeaker
Kanto Audio is a Canadian-based consumer electronics company, with headquarters near Vancouver, British Columbia. Its offerings include powered and passive desktop and bookshelf speakers, a powered subwoofer, and three types of speaker stands. For this review, Kanto sent me its latest offering, the ORA Reference desktop speaker system ($349.99, all prices in USD), along with its SUB8 powered subwoofer ($269.99) and two pairs of desktop speaker stands, the S2 and SE2 ($29.99 and $39.99).
Harman International Industries, as many readers know, owns several highly regarded home-audio brands: AKG, Arcam, Harman Kardon, JBL, Lexicon, Mark Levinson, and Revel, among others. Fewer know that Harman is also involved in pro audio and automotive electronics. On November 27, Harman announced a further expansion to its ambit with the acquisition of Roon Labs, a move that caught almost everyone in the hi-fi world by surprise, including me. Harman itself was acquired by Samsung Electronics in 2017 and operates as an autonomous subsidiary of the South Korean giant.
Read more: Harman International Has Bought Roon Labs—What Comes Next?
There’s a short answer to the question posed by the title of this article: “Of course they do.” I could leave it at that, in which case this would be the shortest article ever published on the SoundStage! Network. A slightly longer answer is that the place of physical media in Simplifi’d hi-fi is declining, just as it is in hi-fi in general. But make no mistake—vinyl and CD are still relevant.
Read more: Getting Physical—Do LPs and CDs Have a Place in Simplifi’d Hi-Fi?
When I first got into this hobby, a half-century ago, a common entry point was a starter system comprising a base-model stereo receiver, a basic turntable, and a pair of bookshelf speakers. For a system with junky house-brand speakers, you’d pay $250 to $300 (all prices in USD except where noted), or $400-plus for a system with name-brand speakers—say, a pair of Dynaco A25s or EPI 100s.
Read more: Elipson Prestige Facet 6B BT Powered Loudspeaker System
Since 2018, the SoundStage! Network has been a member of the Expert Imaging and Sound Association. Each year, EISA presents awards in six categories: photography, mobile devices, in-car electronics, home-theater display, home-theater audio, and hi-fi. The SoundStage! Network is a voting member in the hi-fi category.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
It’s been a couple of years since Bluesound introduced the latest iteration of the company’s award-winning Node streaming device. After being favorably reviewed by Gordon Brockhouse in 2021, it received a SoundStage! Network Product of the Year award in the Exceptional Value category. The Node ($599, all prices USD) is widely considered one of the most fully featured music streamers available at anywhere near its price point. For the brand’s 10th anniversary, Bluesound decided to release a special edition of the Node. Priced at $749, the Node X isn’t meant to replace the current generation of the Node. It will be available for a limited but unspecified period.
I bet there are loads of people who would love to have a good audio system in a room where it’s impractical to deploy a pair of freestanding loudspeakers. I also bet there are many others whose living space can accommodate freestanding speakers but whose significant other won’t.
Read more: System Audio Silverback 1 Active On-Wall Speaker System and Stereo Hub
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