Most audiophiles know Pro-Ject Audio Systems as a maker of turntables. Indeed, more than any manufacturer, Vienna-based Pro-Ject is responsible for the vinyl revival.
Keen-eyed readers may have noticed that I recently added a new category to the Associated Equipment section at the end of my reviews. In addition to listing the speakers, sources, and cables used for a review, I’ve started listing my network setup. For most of the products I review, every note I listen to is streamed over a network. That makes the network an important part of my home-entertainment system.
This corner of the SoundStage! Network is devoted to “convenient, lifestyle-oriented hi-fi,” to quote the blurb on the Network portal. To some diehards, the word lifestyle conveys a kind of superficiality, a lack of seriousness, but not to yours truly. As I wrote in my kick-off feature for SoundStage! Simplifi, there’s a lot to be said for integrating your hi-fi into your everyday life. Having your main music system in a living area, rather than hiding it away in an inner sanctum, means that everyone can enjoy it, not just the household high priest of audio.
Once in a while, I come across a product that has me scratching my head: What’s this thing really for, and who needs it? Then a light goes on, and I get it: Hey, this product is really cool, and really useful. Why did it take so long for someone to come up with this idea?
This fall marked the 10th anniversary of file-based, high-resolution audio playback. The New York City-based website HDtracks opened its virtual doors in March 2008; in October of that year, it added to its catalog 24-bit/88.2kHz and 24/96 FLAC files.
Wireless speakers have become like A/V receivers: it’s almost impossible to build one that’s still up to date a few months after launch. Cambridge Audio’s Yoyo (L) all-in-one home audio system doesn’t have voice command, the latest hot feature boasted by an increasing number of wireless speakers, but it offers almost everything else you might want in a wireless speaker, as well as at least one thing that’s likely to surprise you. It also packs a lot more audio engineering than do most wireless speakers.
Sometime soon, hopefully before the end of 2018, North American audiophiles will have their choice of two high-resolution music-streaming services. One of them is a familiar name -- now available in 57 countries, Tidal has been operating in North America since 2015. The other is a relative unknown, at least on the west side of the Atlantic.
For serious, sit-down stereo, active loudspeakers have traditionally been a tough sell. I’ve never understood why -- their domestic advantages are obvious. Active speakers can make possible audiophile-quality sound in spaces where traditional components are unwelcome -- as outlined in my recent feature on "How I Simplifi’d My Hi-Fi."
Toronto has a new audio show. The first-ever Toronto Audiofest was held at the Westin Toronto Airport Hotel October 19-21. In one year, it has effectively supplanted the Toronto Audio-Video Entertainment Show (TAVES), which began in 2011 but gradually lost its way.
So much is made these days of powered speakers with Bluetooth connectivity that, presented with one of these wonder puppies, I was prompted to plug it in, invoke Bluetooth, link it to my iPhone, et voilà -- music!
Smartphones are the quintessential jacks-of-all-trades. Beyond their basic function (telephony), you can use them to surf the Web, shoot pictures and videos, play games, feed the parking meter, check your bank balance, navigate strange cities, and a million or so other applications.
Does the trades corollary follow? Are they masters of none? You can tap out an e-mail on your phone’s screen, but you wouldn’t want to write a novel on it. Smartphone cameras are fine for snapshots, but if you’re a serious photographer, you’ll want a serious camera.
A year ago this month, my missus and I made a life-changing decision. We would sell the Toronto home where she had lived for 26 years, and move to a smaller house in the same neighborhood. Our kids had long since left the nest (lucky us!), and that big five-bedroom house was way more real estate than we needed. Downsizing would free up money for our retirements (we are now both, officially, geezers) and simplify our lives.
Pro-Ject’s Juke Box E shows how stereo systems ain’t what they used to be. That statement is not a lament for an imagined better past, but an observation of what kinds of systems today’s listeners want and need. The Juke Box E ($499 USD) caters not to the traditional audiophile, but to a new generation with different listening habits. It combines a turntable, phono stage, integrated amplifier, and Bluetooth receiver, all in a package no larger than a typical budget turntable. All you add is speakers.
Music lovers have been trying to solve a problem ever since they began collecting recordings: How to have convenient access to large music libraries?
The Canadian electronics manufacturer New Acoustic Dimension, since renamed NAD Electronics, was founded in 1972, and released its famous 3020 integrated amplifier in 1978. For many in the late 1970s and 1980s, the 3020 was their first serious audio purchase. Five years ago, to mark its 40th anniversary, NAD released the first version of the D 3020 integrated amplifier ($499 USD), to positive reviews. Last January, at the 2018 Consumer Electronics Show, they announced the launch of the D 3020 V2 ($399). Along with a $100 reduction in price from the original D 3020, NAD has added a full-range preamp-only output and an RIAA-equalized moving-magnet phono stage, while dropping one of the optical inputs and the USB input. The V2 shares the original D 3020’s compact case -- they’re identically sized -- and is energy efficient. While both versions produce 30Wpc, the V2 offers slight improvements in its specified signal/noise ratio and channel separation.
Last month, I talked about the advantages that voice command can bring to audio enthusiasts -- and the complications that limit its applicability to music listening. This month I talk in a bit more depth about the prospects for voice-command technology: How much better can voice-command systems get, and might they someday be the primary user interface for audio systems?
While many audio writers have questioned the desirability of smart speakers, the general public seems to have no such reservations. Estimates project that more than 80 million of these voice-controlled products will have been sold worldwide by the end of 2018. The market’s been dominated by Amazon and Google, but neither of those brands is synonymous with good sound. Fortunately, mainstream audio companies are now incorporating voice-command technology from Amazon or Google into their speakers. The Polk Assist ($199.95 USD), which includes Google Assistant, is one of the first of this wave.
I’ve reacted with hostility to many audio writers’ musings about smart speakers. I’m beginning to wonder if I’ve been wrong.
Apparently, MartinLogan’s Unison wireless preamplifier was designed with Simplifi readers in mind -- it offers Wi-Fi, TosLink digital, and analog inputs and outputs, a 12V trigger, and an Ethernet connection. You can use the Unison with DTS Play-Fi or Apple AirPlay to set up a whole-house streaming system. And the Unison includes Anthem Room Correction (ARC) -- essentially the same version of ARC used in Anthem’s own flagship products. Add it all up and combine it with MartinLogan’s stellar reputation, and you have a product that probably goes for several thousand bucks, right? Nope. The Unison costs $399.95.
High End 2018, in Munich, Germany, was packed with introductions of streaming products. While much of the gear displayed was at the upper end of the hi-fi price curve, there were also a number of new integrated amplifiers and wireless speakers -- from companies such as Technics, Cambridge Audio, and Cocktail Audio -- that can be had for more reasonable prices. What follows is a list of Simplifi-approved products I ran across during my time roaming the halls of the MOC in Munich.
It’s been a boom time for Wi-Fi loudspeakers -- most major speaker makers have introduced wireless models that stream music via AirPlay, DTS Play-Fi, or Chromecast Built-in. Nor is Denmark’s venerable Dynaudio A/S a stranger to the wireless world -- their Xeo and Focus XD models have set a standard for high-performance, high-resolution-capable wireless speakers, though in both cases that performance comes at a relatively high price. Dynaudio’s newest wireless offerings comprise their Music models -- a range of compact, all-in-one speakers designed to deliver, via WiFi, the company’s proven sound-quality benefits in affordable, lifestyle-friendly packages. I wondered how well the Music models would stand up to their mass-market competition.
One problem with buying an all-in-one music system is the possibility of getting locked in -- since everything is provided, you’re stuck with the system’s hardware configuration going forward. That possibility becomes even more of a concern with higher-end, higher-priced gear such as Musical Fidelity’s M6 Encore 225. At $5999 USD, the M6 Encore 225 represents a significant investment. Does it have what it takes to stand the test of time?
In reviewing audio gear -- or anything else, for that matter -- it’s a cliché to describe something with lots of features as a “Swiss Army knife.” But that was the image that sprang to mind as I reviewed Cocktail Audio’s X35, a “high-res-all-in-one music system” from Novatron, a Korean audio manufacturer with roots in IT. If there ever was an audio component that merited comparison to a compact, inexpensive device comprising many different tools for many different uses, the X35 is it.
Recently, I reviewed the JBL Link 500, a Wi-Fi speaker that incorporates the Google Assistant platform. To me, being able to question a speaker about the weather for the upcoming weekend, and to get a personalized response based on data Google had previously collected, seemed more a novelty than a great technological leap forward. Still, while the idea of having a speaker in my bedroom with a built-in microphone that relays data to Google’s servers didn’t make me paranoid, I was glad that the Link 500 also has a button for switching that microphone off.
Peachtree Audio is a company I usually think of as being “new.” But as I began work on a review of Peachtree’s most recent integrated amplifier, the decco125 Sky, I was reminded that they’ve been around for more than ten years. That made my head spin. Has it really been almost a decade since I reviewed the company’s iDecco, an integrated amplifier that embraced new ways people accessed music by incorporating a digital dock input for an iPhone/iPod and a USB port for a computer? This inclusiveness was reinforced by the iDecco’s low price: $999 USD.
Panasonic’s Technics brand may be best known for the SL-1200, a direct-drive turntable that has long been a favorite of the DJ set. But even before the SL-1200 became the tool of choice for creating rap and dance music, Technics had made its mark on hi-fi with power amplifiers, integrated amplifiers, and loudspeakers.
When Apple released its new HomePod smart speaker in early 2017, most early reviews echoed the same sentiments: the sound is impressive; the contribution of Siri, the company’s digital assistant, much less so. A review in the New York Times raved about how much better the HomePod’s audio quality was than those of similar offerings from Amazon and Google, but went on to bash the Apple for its inability to summon rides from Uber.
According to Amazon, the e-commerce site’s hottest product category during the 2017 holiday season was audio. This is not to say that most Amazon shoppers were spending money on amplifiers, bookshelf speakers, or even headphones. The audio product that everyone wanted to find under their tree was the Echo Dot, a voice-activated Wi-Fi speaker that sells for $50 USD.
Recently, on seeing the Apple Music app on my phone, a friend’s kid smirked. The problem? Apparently, I’d decided to spend my money on uncool Apple Music rather than on cool Spotify. Lame!
In an editorial posted late last year, I surveyed the limited field of hi-fi components that include room-correction processing. One product I mentioned was Trinnov Audio’s Amethyst ($10,000 USD), a stereo DAC-preamplifier featuring Trinnov’s proprietary Optimizer. Interviewing a Trinnov rep about the company’s innovative approach to dealing with the interactions of loudspeakers with domestic rooms, recording studios, and movie theaters made it clear that the Amethyst was something I wanted to check out in my own system.
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