In last month’s feature, I looked at the various kinds of components that can make up a Simplifi’d music system. As I noted then, networked music systems include three broad classes of components that traditional hi-fi systems don’t: servers, which send audio data (and metadata) over a home network; streamers, which receive and render that data; and controllers, with which users select music and control its playback.
What would you rather do on a glorious Canadian autumn weekend: Go for a hike in the woods? Do some urban exploring? Listen to great audio equipment in a suburban hotel?
Over the weekend of October 18-20, 3500 people chose the third option, spending hours or days at the second edition of the Toronto Audiofest, held at the Westin Toronto Airport Hotel in Mississauga, Ontario.
It’s the start of a new year -- and, depending on your math, the beginning of the 2020s or the end of the 2010s. Do the 2020s officially begin on January 1, 2020, or on January 1, 2021? Whichever, it’s time to look at the top audio trends of the past year and the past decade.
On the various websites of the SoundStage! Network you’ll find reviews of all kinds of source components -- CD players, streamers, DACs, turntables, cartridges, and phono stages. But to my knowledge, in its 24-year history SoundStage! has reviewed only one smartphone: the LG G7 ThinQ.
Judging by the crowds at Audio Video Show 2019, held Friday-Sunday, November 8-10, in Eastern Europe hi-fi is a family affair. The 23rd edition of the show was held in three venues in central Warsaw, in Poland: the Radisson Blu Sobieski and Golden Tulip hotels, and the PGE Narodowy, or National Stadium.
Is classical music in danger of dying “a digital death”? That prospect worries Thomas Steffens, CEO of Amsterdam-based Primephonic, a streaming service that specializes in classical music. “The world is moving toward streaming, where there are no CD stores anymore, and download stores are disappearing,” Steffens told me in an interview. “At the same time, classical music is massively underrepresented on streaming services. Classical music accounts for 5% of all global music consumption, but only 1% of streaming music, and 0.5% of streaming royalties.”
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