Since mid-2019, I’ve been looking for ways to get better bass from the music system in the living room of the 1920s Toronto rowhouse I share with my infinitely better half. My quest began when I reviewed Elac’s Navis ARF-51 speakers ($4599.96/pair; all prices USD). Those active floorstanders delivered deeper bass and more slam than the active stand-mounted speakers I was using at the time, and I enjoyed them so much I bought the review samples.
In mid-February, SoundStage! editor-in-chief Jeff Fritz e-mailed to ask if I’d be willing to put together a “virtual system” as part of a series he was writing for SoundStage! Ultra: “If you had an unlimited budget and wanted the best performance money could buy on the desktop, what would you pick?”
In the last three years, Danish Audiophile Loudspeaker Industries (DALI) has introduced active versions of models from three of its speaker series:
Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.
Three years ago, when Kevin and Jonathan Couch formed Heavenly Soundworks, the father-and-son team planned to make only conventional passive loudspeakers—active speakers weren’t on the agenda. “My dad has been into audio as long as I can remember—since before I was born,” Jonathan told me in a phone interview, “which is why I’m into it too.”
Introduced in 1991, PSB’s affordable Alpha series of loudspeakers have since earned a reputation for performance and value, and received many awards. PSB’s Alpha P5 two-way minimonitor ($399/pair, all prices USD except as noted) received a Reviewers’ Choice Award when it was reviewed on SoundStage! Access by Hans Wetzel in March 2019, and was subsequently named a SoundStage! Network Product of the Year for Exceptional Value.
Is the Compact Disc on its last legs? It sure looks that way. According to the Recording Industry Association of America (RIAA), US sales of CDs fell 45.2% (units) and 47.6% (dollars) in the first half of 2020, compared to the same period a year earlier. In that same period, revenues from streaming grew 12%, to $4.8 billion—85% of recording-industry revenues in the US.
When he visited my home last summer, SoundStage! founder and publisher Doug Schneider asked what I thought was a strange question. Which am I into more, music or sound? Am I first and foremost an audiophile or a music lover?
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