It’s been a boom time for Wi-Fi loudspeakers -- most major speaker makers have introduced wireless models that stream music via AirPlay, DTS Play-Fi, or Chromecast Built-in. Nor is Denmark’s venerable Dynaudio A/S a stranger to the wireless world -- their Xeo and Focus XD models have set a standard for high-performance, high-resolution-capable wireless speakers, though in both cases that performance comes at a relatively high price. Dynaudio’s newest wireless offerings comprise their Music models -- a range of compact, all-in-one speakers designed to deliver, via WiFi, the company’s proven sound-quality benefits in affordable, lifestyle-friendly packages. I wondered how well the Music models would stand up to their mass-market competition.
One problem with buying an all-in-one music system is the possibility of getting locked in -- since everything is provided, you’re stuck with the system’s hardware configuration going forward. That possibility becomes even more of a concern with higher-end, higher-priced gear such as Musical Fidelity’s M6 Encore 225. At $5999 USD, the M6 Encore 225 represents a significant investment. Does it have what it takes to stand the test of time?
Panasonic’s Technics brand may be best known for the SL-1200, a direct-drive turntable that has long been a favorite of the DJ set. But even before the SL-1200 became the tool of choice for creating rap and dance music, Technics had made its mark on hi-fi with power amplifiers, integrated amplifiers, and loudspeakers.
In reviewing audio gear -- or anything else, for that matter -- it’s a cliché to describe something with lots of features as a “Swiss Army knife.” But that was the image that sprang to mind as I reviewed Cocktail Audio’s X35, a “high-res-all-in-one music system” from Novatron, a Korean audio manufacturer with roots in IT. If there ever was an audio component that merited comparison to a compact, inexpensive device comprising many different tools for many different uses, the X35 is it.
According to Amazon, the e-commerce site’s hottest product category during the 2017 holiday season was audio. This is not to say that most Amazon shoppers were spending money on amplifiers, bookshelf speakers, or even headphones. The audio product that everyone wanted to find under their tree was the Echo Dot, a voice-activated Wi-Fi speaker that sells for $50 USD.
Peachtree Audio is a company I usually think of as being “new.” But as I began work on a review of Peachtree’s most recent integrated amplifier, the decco125 Sky, I was reminded that they’ve been around for more than ten years. That made my head spin. Has it really been almost a decade since I reviewed the company’s iDecco, an integrated amplifier that embraced new ways people accessed music by incorporating a digital dock input for an iPhone/iPod and a USB port for a computer? This inclusiveness was reinforced by the iDecco’s low price: $999 USD.
In an editorial posted late last year, I surveyed the limited field of hi-fi components that include room-correction processing. One product I mentioned was Trinnov Audio’s Amethyst ($10,000 USD), a stereo DAC-preamplifier featuring Trinnov’s proprietary Optimizer. Interviewing a Trinnov rep about the company’s innovative approach to dealing with the interactions of loudspeakers with domestic rooms, recording studios, and movie theaters made it clear that the Amethyst was something I wanted to check out in my own system.
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