In no other area do audiophile aspirations collide more forcefully with the laws of physics than in the reproduction of deep bass. That’s especially true with audio systems installed in multipurpose living areas, as opposed to dedicated media rooms. There are two main reasons for this, one quantitative, the other qualitative.

Reviewers' ChoiceI didn’t expect to be writing this review -- at least, not now. As I mentioned a month ago, in my feature article “A Perfect Pair,” when I read PSB’s announcement of their new Alpha AM3 and Alpha AM5 powered speakers, I immediately requested for review a pair of AM5s. I was told that samples would be shipped to me that very week -- only to hear, a few days later, that review samples weren’t available, due to robust initial orders and pandemic-related product shortages. When PSB offered to supply the smaller AM3s, I gladly accepted.

Reviewers' ChoiceWith apologies to William Shakespeare, there’s something rockin’ in the state of Denmark, audiowise. When it comes to active speakers that include digital signal processing (DSP) -- in my opinion, now the most exciting segment of audio -- the Danes are on the leading edge. During my two-years-plus at SoundStage! Simplifi, I’ve written about active speakers from several Danish brands, including DALI, Dynaudio, and System Audio, and I’ve loved them all.

Most audiophiles know SV Sound (SVS) as a manufacturer of high-performance, high-value speakers and subwoofers. The Ohio-based company’s catalog also includes one electronic component: the Prime Wireless SoundBase ($499.99, all prices USD), which combines a powerful integrated amplifier and network streamer in one compact case.

Is there a speaker brand that does retro as well as Klipsch? I doubt it. Klipsch’s big horn speakers hark back to the middle of the 20th century, and so do their lifestyle products.

One of the best-kept secrets of home audio is the possibility of building a hi-fi system around a pair of professional studio monitors. As I discussed in my July 1 feature, “Turning Pro,” studio monitors offer more bang for the buck than most conventional systems comprising separate electronics and passive speakers.

For the past couple of decades, the audio industry has been angsting about how to get young listeners interested in hi-fi. It’s not that teens and twentysomethings don’t love music; it’s that their musical lives revolve around smartphones, headphones, maybe a Bluetooth speaker. How can they be introduced to the joys of listening to real stereo from real hi-fi speakers?