In my last three columns, I wrote about how streaming is changing the ways people discover and experience music. In my January feature, “The State of Streaming,” I looked at streaming services that deliver lossless CD-resolution and high-resolution music. In “The Name Game,” published February 1, I wrote about how streaming has given rise to whole new classes of audio components, and set out to establish some definitions. And in my March feature, “Rules of the Game,” I discussed the software protocols that enable these new components to talk to one another, and compared their benefits and drawbacks.
In last month’s feature, I looked at the various kinds of components that can make up a Simplifi’d music system. As I noted then, networked music systems include three broad classes of components that traditional hi-fi systems don’t: servers, which send audio data (and metadata) over a home network; streamers, which receive and render that data; and controllers, with which users select music and control its playback.
Judging by the crowds at Audio Video Show 2019, held Friday-Sunday, November 8-10, in Eastern Europe hi-fi is a family affair. The 23rd edition of the show was held in three venues in central Warsaw, in Poland: the Radisson Blu Sobieski and Golden Tulip hotels, and the PGE Narodowy, or National Stadium.
What would you rather do on a glorious Canadian autumn weekend: Go for a hike in the woods? Do some urban exploring? Listen to great audio equipment in a suburban hotel?
Over the weekend of October 18-20, 3500 people chose the third option, spending hours or days at the second edition of the Toronto Audiofest, held at the Westin Toronto Airport Hotel in Mississauga, Ontario.
It’s the start of a new year -- and, depending on your math, the beginning of the 2020s or the end of the 2010s. Do the 2020s officially begin on January 1, 2020, or on January 1, 2021? Whichever, it’s time to look at the top audio trends of the past year and the past decade.
On the various websites of the SoundStage! Network you’ll find reviews of all kinds of source components -- CD players, streamers, DACs, turntables, cartridges, and phono stages. But to my knowledge, in its 24-year history SoundStage! has reviewed only one smartphone: the LG G7 ThinQ.
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