SoundStage! Simplifi | SoundStageSimplifi.com

: Written by: Gordon Brockhouse; Created: 15 December 2022

Since the 1970s, record labels and audio manufacturers have been trying to convince music lovers to move beyond two-channel stereo. Music doesn’t just happen in front of us, argue proponents of surround music; it happens all around us. We could get a better experience if we added speakers beside and/or behind the listening position.

: Written by: Gordon Brockhouse; Created: 15 November 2022

How would you rather spend a glorious Canadian autumn weekend? Walking in the park? Taking a drive in the country? Raking the leaves? Or roaming the halls of a generic suburban hotel?

: Written by: Gordon Brockhouse; Created: 15 August 2022

Lately, I’ve been enjoying the SoundStage! Audiophile Podcast, which is hosted by Brent Butterworth, senior editor of SoundStage! Solo, and Dennis Burger, senior editor of SoundStage! Access. Brent and Dennis tackle a wide range of topics and do a ton of preparation for each episode. The production is polished, the discussions are well-informed and thought-provoking, and the presentation is casual and inviting.

: Written by: Kurt Wetzel; Created: 15 July 2022

I never wanted to purchase new speakers. I never wanted to go digital. It all happened by accident.

: Written by: Gordon Brockhouse; Created: 15 June 2022

The greatest audio show on earth is back. After a two-year, pandemic-induced hiatus, the 2022 Munich High End show took place from May 19 to 22. The SoundStage! Network sent a four-person editorial team to Bavaria: founder and publisher Doug Schneider; editor-in-chief Jeff Fritz; Edward Kramer, editor of SoundStage! Australia; and Jonathan Gorse, a UK-based contributor to SoundStage! Ultra. Together, they filed 18 dispatches from Munich, which you can find on SoundStage! Global.

: Written by: Gordon Brockhouse; Created: 15 May 2022

When it comes to consuming music, you can split the SoundStage! team into a few broad categories: those who are big into physical media, those who have fully embraced streaming, those who rely on downloaded and ripped music, and those with feet in all these camps.

Read more: Listen While You Work

: Written by: Gordon Brockhouse; Created: 15 February 2022

Was 2021 the year that lossless and hi-rez music streaming became mainstream? Last year, Spotify promised it would start delivering lossless music, but failed to deliver. Three months later, Apple announced plans to offer lossless and hi-rez content, and started delivering shortly thereafter. Amazon Music HD had been offering lossless and hi-rez music since 2019; but following Apple’s move, Amazon reduced its price for the service. These aggressive moves by major providers like Apple and Amazon led several smaller streaming services to revamp their own pricing plans in 2021.

Read more: The State of Streaming—2022

: Written by: Gordon Brockhouse; Created: 01 January 2022

Today is Simplifi’s birthday. Five years ago, on New Year’s Day 2017, the SoundStage! Network launched a site dedicated to “convenient, lifestyle-oriented hi-fi” with a short feature by Al Griffin, entitled “Why Simplifi.”

: Written by: Gordon Brockhouse; Created: 15 December 2021

Most audiophiles know Canada’s Lenbrook Industries for its three audio brands: PSB Speakers, NAD Electronics, and Bluesound multi-room streaming products. Fewer people know Lenbrook as a software developer. But the fact is that Lenbrook’s BluOS software platform is a key component of many of its products—not just the Bluesound multi-room components for which BluOS was originally created, but also NAD integrated amplifiers, preamplifiers, AV receivers, and a multi-zone streamer targeted at the custom-integration (CI) market.