NAD C 700 V2

Lately, I’ve been enjoying the SoundStage! Audiophile Podcast, which is hosted by Brent Butterworth, senior editor of SoundStage! Solo, and Dennis Burger, senior editor of SoundStage! Access. Brent and Dennis tackle a wide range of topics and do a ton of preparation for each episode. The production is polished, the discussions are well-informed and thought-provoking, and the presentation is casual and inviting.

Read more: The Great Debate: Is Component Hi-Fi Dead?

I never wanted to purchase new speakers. I never wanted to go digital. It all happened by accident.

Read more: Evolving Hi-Fi: My Journey with a Fleet of Devialet Silver Phantoms

The greatest audio show on earth is back. After a two-year, pandemic-induced hiatus, the 2022 Munich High End show took place from May 19 to 22. The SoundStage! Network sent a four-person editorial team to Bavaria: founder and publisher Doug Schneider; editor-in-chief Jeff Fritz; Edward Kramer, editor of SoundStage! Australia; and Jonathan Gorse, a UK-based contributor to SoundStage! Ultra. Together, they filed 18 dispatches from Munich, which you can find on SoundStage! Global.

Read more: Simplifi'd Hi-Fi at Munich High End–and Elsewhere

When it comes to consuming music, you can split the SoundStage! team into a few broad categories: those who are big into physical media, those who have fully embraced streaming, those who rely on downloaded and ripped music, and those with feet in all these camps.

Read more: How We Listen

Across the SoundStage! Network, you’ll find coverage of all kinds of audio products: high-end gear on SoundStage! Ultra, affordable components on SoundStage! Access, headphones and accessories on SoundStage! Solo, lifestyle audio here on SoundStage! Simplifi, portable Bluetooth speakers on SoundStage! Xperience, news and events on SoundStage! Global, and all manner of gear on the mothership—SoundStage! Hi-Fi.

Read more: Wayback Playback

One of the occupational hazards of writing for an audiophile website is a condition photography enthusiasts call GAS—Gear Acquisition Syndrome. After hearing about a new lens (or amplifier), you decide you really, really need this new toy, even though the gear you already own is more than adequate for your needs. During my adult life, I’ve experienced GAS hundreds—maybe thousands—of times, and succumbed to it more often than I care to admit.

Read more: Listen While You Work

Was 2021 the year that lossless and hi-rez music streaming became mainstream? Last year, Spotify promised it would start delivering lossless music, but failed to deliver. Three months later, Apple announced plans to offer lossless and hi-rez content, and started delivering shortly thereafter. Amazon Music HD had been offering lossless and hi-rez music since 2019; but following Apple’s move, Amazon reduced its price for the service. These aggressive moves by major providers like Apple and Amazon led several smaller streaming services to revamp their own pricing plans in 2021.

Read more: The State of Streaming—2022

Today is Simplifi’s birthday. Five years ago, on New Year’s Day 2017, the SoundStage! Network launched a site dedicated to “convenient, lifestyle-oriented hi-fi” with a short feature by Al Griffin, entitled “Why Simplifi.”

Read more: Why "Simplifi"—Five Years Later

Most audiophiles know Canada’s Lenbrook Industries for its three audio brands: PSB Speakers, NAD Electronics, and Bluesound multi-room streaming products. Fewer people know Lenbrook as a software developer. But the fact is that Lenbrook’s BluOS software platform is a key component of many of its products—not just the Bluesound multi-room components for which BluOS was originally created, but also NAD integrated amplifiers, preamplifiers, AV receivers, and a multi-zone streamer targeted at the custom-integration (CI) market.

Read more: The Evolution of BluOS: An Interview with Lenbrook's Andrew Haines

On May 28, 2020, Tidal announced that it was rolling out Dolby Atmos Music for home-theater systems. Nearly a full year later, on May 17, 2021, Apple Music announced that, along with lossless audio, its catalog would support spatial audio, which also uses Dolby Atmos. For Tidal, Dolby Atmos Music is included in the higher-tier HiFi subscription at $19.99 (all prices in USD) per month for a single subscription ($29.99 for up to five additional family members). For Apple Music, spatial audio and lossless audio are included in the $9.99 plan ($14.99 per month for up to five additional family members). For most audiophiles, the biggest draw would be lossless audio—the company was joining niche providers such as Tidal and Qobuz, but Apple’s pervasive influence brings it to a much wider audience.

Read more: Dolby Atmos Music in Your Home

You might think that a guy who earns his living by writing about technology would want to have the latest and greatest of everything. Not yours truly. When I make a purchase, I’ll spend what it takes to get a product that will meet my needs for a long time—but then I’ll make that thing last and last. I’ll replace a product only if it stops working properly and can’t be repaired economically; or if my circumstances change and the thing no longer suits my needs.

Read more: The Big Switch

  1. I'm Only in It for the Money
  2. Encore! Encore! An Interview with Patricia Barber, Jim Anderson, and Ulrike Schwarz
  3. The New Apple Music
  4. Moving Forward with Formation: An Interview with Andy Kerr of Bowers & Wilkins
  5. Glory Days
  6. Spotify Goes Lossless
  7. In Defense of Streaming
  8. Tinkering Simplifi'd
  9. Simplifi Defined
  10. Going Deep with Artison
  11. A Simplifi Yearbook
  12. A Perfect Pair
  13. The Critical Component
  14. Has the Time Come for Surround Music?
  15. My Top Ten Products of the Last Two Years
  16. Turning Pro
  17. All About That Bass
  18. Gently Down the Stream
  19. Big Events
  20. Rules of the Game
  21. The Name Game
  22. January 1, 2020: The State of Streaming
  23. Warsaw’s Audio Video Show 2019, Simplifi’d
  24. Toronto Audiofest 2019, Simplifi'd
  25. Hi-Rez à-Go-Go
  26. Streaming the Classics
  27. Play Nice Together -- An Interview with Rob Darling of Roon Labs
  28. Active Voices, Part Three: KEF's Jack Oclee-Brown
  29. High End 2019, Simplifi'd
  30. Active Voices, Part Two: Axiom Audio's Andrew Welker
  31. Montréal Audio Fest Simplifi'd
  32. Active Voices, Part One: Elac's Andrew Jones
  33. Let's Keep it Simple
  34. A Roon of One's Own
  35. How I Simplifi'd My Wi-Fi
  36. Are Downloads Dead?
  37. Hi-Rez Streaming: Tidal vs. Qobuz
  38. Toronto Audiofest 2018 Simplifi'd
  39. How I Simplifi'd My Hi-Fi
  40. Time to Celebrate: Five Years of Google Chromecast
  41. How Good Can Voice Recognition Get?
  42. Are Smart Speakers Any Good for Audiophiles?
  43. High End 2018, Simplifi'd
  44. Is the Smart Speaker a Dumb Idea?
  45. What's Up with Apple AirPlay 2?
  46. The Spotify Dilemma
  47. CES 2018, Simplifi’d
  48. Farewell, CES
  49. Room Tunes
  50. Social Streaming
  51. CEDIA 2017, Simplifi’d
  52. Classical Prime Time
  53. The Röst Reconsidered
  54. High End 2017, Simplifi'd
  55. Vinyl: There's an App for That
  56. Metadata: Life with Roon
  57. The Internet and Audio: The Good, the Bad, and the Impossible
  58. The State of Streaming
  59. CES 2017, Simplifi'd
  60. Why "Simplifi"

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